
February 10th, 2010 by admin
O Fantasma
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O Fantasma[1 clip]
This is a somewhat interesting idea - if it really went anywhere. I enjoyed the first act as the young man becomes obsessed and I hoped the flick would go further and to more mature places. The mpeg just feels like a very long excuse to watch the gorgeous young man who plays the lead with no clothes on - and he’s nude constantly for those who are interested in that.There’s nothing wrong with making a hot flick but honestly, this goes nowhere and manages only to raise a few interesting questions and then do zero with them.I can’t help but feel it’s a protracted excuse to see this 18 year old beauty in his all his narcissistic glory. The filmmakers seem confused in their own descriptions of the action on the commentary track and seem to think that “Shocking Images” equals a strong flick. Nah, not by a long shot. It’s hardly the hard-hitting exploration of intense obsession it tries to be and succeeds only in being a pictorial of a this guy.One need only to see the “special features menu” where it lists “eye candy” and each scene of the young man in his glory is featured for added pleasure. Come on now gentlemen… who are the filmmakers and anyone who seriously watched this movie kidding? I’m all for a serious, dark explorations of taboo but this is not it. |

February 9th, 2010 by admin
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January 24th, 2010 by admin
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January 21st, 2010 by admin
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January 7th, 2010 by admin
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December 9th, 2009 by admin
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November 21st, 2009 by admin

October 5th, 2009 by admin

September 30th, 2009 by admin
Love Happens Just Not For Jennifer Aniston
Here’s Jennifer Aniston at the ‘Love Happens‘ premiere, but unfortunately unlike the movie, love never happens for poor Jen. She’s been through more guys than I’ve been through underwear. I don’t know what Brad Pitt did to her emotionally, but surely she can find a decent boyfriend with a cougar body like that. Hey, I might be poor and don’t have much to offer other than fertility, but Jen better act soon because her biological clock is ticking and I’m one pint away from liver disease. See more photographs of Jennifer Aniston NOW!!!
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September 17th, 2009 by admin
Kiss Kiss Bang Bang
Directed and co-written by Shane ebony; based on a novel, “Bodies Are Where You Find Them” written by Brett Halliday; and starring Robert Downey Jnr, Val Kilmer and Michelle Monaghan.A terrific opening credit sequence easily sets up the audacity and chagrin of the film for an appreciative audience. In essence, these are the reasons why you need to see this movie: the razor sharp wit, shockingly fast-paced and hysterical dialogue, pulp-fiction-esquire vibe, its pure cheesiness and the cynicism of a thrash up old paperback detective novel.Got you yet? Alright, maybe an explanation of the seemingly simple plot is warranted. It begins with a ridiculously funny set up resulting in Downey’s character being paired up with Kilmer to observe the latter in his job as a private detective. They hook up with a down-on-her luck actress who brings a case for the sleuths. This synopsis constitutes gross misrepresentation on my part as things get remarkably complex. How so? Well, even the lead the character (who also is purposefully pathetic as narrator) takes time out within the movie to remember where he is in telling the story. There are even snippets of dialogue where the characters attempt to fill in the gaps or actually remind themselves of what has happened thus far in the movie.Downey, Kilmer and Monaghan are all caricatures drawn from popular references of literature, movies and art. All however, are larger than life, exhibit great chemistry and for a movie buff, it is heaven to witness the self referential exercises and hear the narrator shred every narrating convention applicable. Downey’s performance is remarkable (neurotic, comic, vulnerable and charming). I have never seen Kilmer in such a well-defined, uproarious piece of work. Monaghan is also integral to the trio and shines exuding a brash, fighting and fantastic appeal. She brought back fond memories of early Kathleen Turner and Rene Russo. The fact that her look screams Renee Zellweger, is not a bad thing either.Black became famous in the 1980s for writing the hit buddy movies: Lethal Weapon, The Last Boy Scout and The Long Kiss Goodnight. As a first time director, he does well keeping the frenetic pace and allowing the audience to catch up only to get lost time and time again. The style is so disarmingly effective, that at times I shook my head in confusion or found my hands against my mouth, agape in shock. I also think that in creating such a brilliant script that ebony may have blacklisted himself in Hollywood for mirroring its supposed fame and glamor and exposing its not too pretty side. His one-liners and connected sub-plots are not typical and Kilmer and Downey make magic with their banter and clinical delivery.All the ingredients of a pulp-noir novella can be found, even employing a structure of chapter-type headings within the movie. Parallel story lines unfold and given plot assumptions are turned over, always with achingly funny results. Even the clichs are clever e.g. a tough guy predictably crashes through a glass table, or body after body turns up, to haunt the characters.I strongly recommend the movie, given the talent of Downey and Kilmer. Downey should be honored with a Lead Actor Oscar nomination; while Kilmer deserves a Supporting Actor nod. It thrilled me to see them both in their element, as I was on the verge of disavowing them as marquee/box-office draws. The screenplay should also attract Oscar consideration.One of the year’s best films and one of those rare movies where you’ll consistently find something new to laugh at, when viewed each of a dozen times.

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